- Initially started off using WordPress (the obvious blogging solution at that time) in the URL hari.literaryforums.org.
- Converted to b2evolution as I became increasingly annoyed with WordPress and its growing bloat version after version.
- Coded my own solution which I continue using till date.
- Thoroughly re-organized harishankar.org (which was earlier used as my reviews site) some time ago so that the blog became visually and contextually integrated with my personal website and no longer an appendage to literaryforums.org.
- Most recently, the comics have been given more prominence with a separate navigation system.
Hari's Corner
Humour, comics, tech, law, software, reviews, essays, articles and HOWTOs intermingled with random philosophy now and thenThis blog turns 500! Entries, that is...
Filed under:
Site management by
Hari
Posted on Mon, Jan 18, 2010 at 20:55 IST (last updated: Mon, Jan 18, 2010 @ 21:31 IST)
The Legalease - Episode 4
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The Legalease comic by
Hari
Posted on Sun, Jan 17, 2010 at 21:25 IST (last updated: Fri, Jan 22, 2010 @ 21:58 IST)
I am a Twit-person
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Internet and Blogging by
Hari
Posted on Thu, Jan 14, 2010 at 17:28 IST (last updated: Thu, Jan 14, 2010 @ 17:28 IST)
The Legalease - Episode 3
Filed under:
The Legalease comic by
Hari
Posted on Mon, Jan 11, 2010 at 09:28 IST (last updated: Sat, Jan 23, 2010 @ 14:12 IST)
Coded a new feature on this blog
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Site management by
Hari
Posted on Sat, Jan 9, 2010 at 20:02 IST (last updated: Sun, Jan 10, 2010 @ 10:36 IST)
Thoughts on webcomics
Filed under:
Internet and Blogging by
Hari
Posted on Thu, Jan 7, 2010 at 19:24 IST (last updated: Thu, Jan 7, 2010 @ 19:37 IST)
- Wacky but lovable and easily identifiable characters (think characters like Daffy Duck, Bugs Bunny and Yosemite Sam of Warner Bros' fame).
- Strong but not excessive use of bright primary colours and tones.
- Visual as well as verbal humour. Reliance on character expressions and actions in building the humour.
- Less reliance on punch lines or finish dialogs and more emphasis on humour distributed throughout all the panels.
- Consistent, but not excessively predictable situations.
- Flat characters or characters that are too perfect or ordinary.
- Lengthy inordinate dialogues between characters.
- Arbitrary characterization: for instance where two characters can easily swap positions and the situation still makes sense.
- Excessive reliance on breaking the fourth wall or using cliched punch lines or endings.
- Complex scene composition: heavy use of background artwork which confuses the reader and creates a lot of "noise".